{"id":1457,"date":"2026-06-18T18:18:00","date_gmt":"2026-06-18T16:18:00","guid":{"rendered":"https:\/\/aelle-arts.fr\/?p=1457"},"modified":"2026-06-17T13:29:07","modified_gmt":"2026-06-17T11:29:07","slug":"glyphes-vibrations-sens-interroger-le-sacre","status":"publish","type":"post","link":"https:\/\/aelle-arts.fr\/index.php\/2026\/06\/18\/glyphes-vibrations-sens-interroger-le-sacre\/","title":{"rendered":"Glyphes, vibrations & sens\u00a0: interroger le sacr\u00e9"},"content":{"rendered":"\n

Je poursuis ma r\u00e9flexion sur les glyphes (lire le premier article<\/a>).
Ils sont \u00e0 l\u2019\u00e9vidence porteurs de sens. Ils am\u00e8nent \u00e9galement une vibration – et je reviendrai sur ce terme dans un autre article encore tant il est transversal et important dans mes pratiques, si ce n\u2019est dans ma qu\u00eate artistique m\u00eame.
La vibration se manifeste de plusieurs mani\u00e8res et fait coexister des langues diff\u00e9rentes dans des formes d\u2019expressions tout aussi vari\u00e9es et pourtant harmonieuses. Ici les glyphes sont une des portes d\u2019entr\u00e9e<\/strong> de mes mondes, aussi je choisis de s\u00e9parer un peu les sujets.<\/p>\n\n\n\n

La posture de l\u2019\u00e9coute<\/h2>\n\n\n\n

Pour entendre la r\u00e9sonance des glyphes, le silence est n\u00e9cessaire. Pas seulement en s\u2019arr\u00eatant de parler avec sa bouche, mais en apaisant aussi le mental. Les pens\u00e9es, aussi fugaces soient-elles, interf\u00e8rent avec le silence int\u00e9rieur n\u00e9cessaire \u00e0 l\u2019\u00e9coute intime. Pour entendre vraiment, une des cl\u00e9s serait de reb\u00e2tir nos cath\u00e9drales int\u00e9rieures. Pour que r\u00e9sonnent \u00e0 nouveau nos intuitions. Ce silence est un pr\u00e9alable n\u00e9cessaire afin que puisse se d\u00e9ployer ce langage nourri, foisonnant et \u00e0 la limite de nos perceptions sensorielles que repr\u00e9sentent les glyphes.<\/p>\n\n\n\n

C\u2019est exactement la m\u00eame qualit\u00e9 d\u2019\u00e9coute que je peux adopter face aux \u0153uvres d\u2019autrui. Je pense bien \u00e9videmment \u00e0 la tr\u00e8s actuelle Hilma af Klint qui est \u00e0 l\u2019honneur du Grand Palais \u00e0 l\u2019heure o\u00f9 j\u2019\u00e9cris ces lignes. Mais aussi \u00e0 des \u0153uvres bien plus baroques et foisonnantes telles que le Palais id\u00e9al du Facteur Cheval, pour n\u2019en citer qu\u2019un. J\u2019aime me situer entre les \u00e0-plats calmes qui permettent le d\u00e9ploiement de grandes respirations et la surstimulation n\u00e9e d\u2019une juxtaposition extr\u00eame de d\u00e9tails, qui affolent le mental jusqu\u2019\u00e0 le perdre.
Un peu comme quand je rentre chez un brocanteur \u00e0 l\u2019ancienne, o\u00f9 tous les articles sont pos\u00e9s ci et l\u00e0. Et que l\u2019\u0153il est d\u2019abord perdu, avant de s\u2019accoutumer et se promener plus librement jusqu\u2019\u00e0 d\u00e9couvrir des p\u00e9pites noy\u00e9es dans la masse. Cette r\u00e9f\u00e9rence particuli\u00e8re vient d\u2019un tonton brocanteur, dont le magasin et ses r\u00e9serves \u00e9taient des lieux absolument magiques pour l\u2019enfant que j\u2019\u00e9tais ! J\u2019ai le souvenir tangible de la caverne d\u2019Ali Baba.<\/p>\n\n\n\n

J\u2019ai gard\u00e9 cette id\u00e9e de collusion des mondes formant un tout coh\u00e9rent.
Et la question qui m\u2019obs\u00e8de est de savoir comment rendre lisibles ces \u00e9tats internes.<\/p>\n\n\n\n

Cadre et structure<\/h2>\n\n\n\n

En cela les structures g\u00e9om\u00e9triques m\u2019aident en apportant le cadre dans lequel venir d\u00e9poser tous ces \u00e9l\u00e9ments \u00ab faiseurs de mondes \u00bb. Cette structuration comme cl\u00e9 de lecture est fondamentale.<\/p>\n\n\n\n

Je trace les glyphes ensuite l\u00e0 o\u00f9 ils souhaitent se d\u00e9poser. Cela varie, parfois c\u2019est autour de certains motifs, parfois seulement \u00e0 l\u2019int\u00e9rieur\u2026 Ou encore sur les trac\u00e9s m\u00eame. Et comme j\u2019ai eu la question une fois lors d\u2019une exposition collective : non, je n\u2019utilise pas de tampons \ud83d\ude0a<\/p>\n\n\n\n

Je les dessine un par un, ils sont uniques. Je connecte avec chacun d\u2019entre eux. Et oui, cela prend du temps. Que je passe dans un \u00e9tat second de transe l\u00e9g\u00e8re. C\u2019est le m\u00eame espace d\u2019ailleurs que je rejoins quand je d\u00e9pose les points.<\/p>\n\n\n\n

D\u2019autres artistes utilisent \u00e9galement ces symboles : ils sont propres \u00e0 chacun et nous en avons des lectures diff\u00e9rentes. Pourtant, nous nous retrouvons sur la fa\u00e7on dont ils nous parviennent, et parfois aussi sur la mani\u00e8re dont nous vivons leur \u00ab descente \u00bb \u00e0 travers nous. Je glisse quelques noms en bas de l\u2019article, pour le plaisir de sauter dans d\u2019autres univers.<\/p>\n\n\n\n

Langages vari\u00e9s et exp\u00e9riences communes<\/h2>\n\n\n\n

La transcription de ces nouveaux symboles est r\u00e9cente. Nous sommes quelques-uns \u00e0 les percevoir et \u00e0 les retranscrire. Dans nos \u00e9changes \u00e0 ce sujet il se dessine une forme d\u2019exp\u00e9rience commune avec cette sensation que ces glyphes d\u00e9tiennent des cl\u00e9s. Chacun les relie \u00e0 ses croyances et sa compr\u00e9hension du monde, aussi prennent-ils des d\u00e9nominations diff\u00e9rentes.<\/p>\n\n\n\n

A mes yeux ils sont des activateurs, ils ont la capacit\u00e9 de d\u00e9clencher des prises de conscience, de r\u00e9v\u00e9ler des \u00e9tats internes, de ramener l\u2019\u00e2me \u00e0 des endroits particuliers. Ils fonctionnent comme les cl\u00e9s : chacune ouvre une serrure. Unique donc, et pourtant universelle.<\/p>\n\n\n\n

La densit\u00e9 qu\u2019ils ont dans mes \u0153uvres n\u2019est pas un choix issu du mental. Lorsque je les sens arriver je ne sais jamais combien ils seront. Leur taille, leur vari\u00e9t\u00e9 \u00e9volue au fil de la transe. J\u2019ai la sensation d\u2019une logorrh\u00e9e cosmique parfois, qui me saisit pour me recracher une fois le processus fini, comme l\u00e9g\u00e8rement ivre.
Plus rarement, ils se d\u00e9posent par petits paquets. Leur force n\u2019est en rien proportionnelle \u00e0 leur nombre, ils ont leur raison d\u2019\u00eatre que ma raison ignore (et plus j\u2019essaye de r\u00e9fl\u00e9chir au sujet plus je me perds).<\/p>\n\n\n\n

Persistance et espace de reliance au sacr\u00e9<\/h2>\n\n\n\n

Aujourd\u2019hui ces \u00e9l\u00e9ments sont une partie int\u00e9grante de mon vocabulaire artistique. Je ne sais pas s\u2019ils persisteront. J\u2019accepte de ne pas savoir. L\u2019\u00e9tat d\u2019impermanence est une pure b\u00e9n\u00e9diction : il me permet de savourer ce qui existe ici et maintenant. Aussi je ne peux risquer d\u2019\u00e9crire qu\u2019ils seraient une signature ou une marque distinctive dans mes \u0153uvres.
Je constate et appr\u00e9cie leur pr\u00e9sence, j\u2019accueille ce qu\u2019ils m\u2019offrent\u2026 et voil\u00e0 tout !<\/p>\n\n\n\n

Je conclue donc temporairement sur cette id\u00e9e : je vis des \u00e9tats de gr\u00e2ce, sans chercher \u00e0 les provoquer. Je suis en gratitude pour ces moments qui sont d\u2019une pr\u00e9ciosit\u00e9 sans nom. J\u2019accueille les transformations qui en d\u00e9coulent, tant au niveau interne et physiologique, que leurs reflets dans mes formes-pens\u00e9es et ma compr\u00e9hension-lecture du monde.<\/p>\n\n\n\n

Et lorsqu’un observateur me partage ce qui le traverse en regardant une de mes cr\u00e9ations, je re\u00e7ois son t\u00e9moignage comme un cadeau et une b\u00e9n\u00e9diction. Y compris celui-ci : \u00ab\u00a0Je comprends votre d\u00e9marche, je vois les aspects techniques mais vos \u0153uvres ne me touchent pas. Elles n’\u00e9veillent rien en moi.\u00a0\u00bb<\/p>\n\n\n\n

C’est ainsi, et comme le disait un autre Tonton : \u00ab\u00a0chacun sa route, chacun son chemin, chacun son r\u00eave, chacun son destin<\/em>\u00ab\u00a0.<\/p>\n\n\n\n

Hari Om
A\u00eblle<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n\n\n\n
<\/div>\n\n\n\n

Quelques artistes dont certaines \u0153uvres contiennent des glyphes :<\/p>\n\n\n\n

Armelle<\/a><\/p>\n\n\n\n

Ana\u00ebl Azuria<\/a><\/p>\n\n\n\n

C\u00e9dric Yah\u00e9 Istari<\/a><\/p>\n\n\n\n

Gabrielle Kaya Zion<\/a><\/p>\n\n\n\n

\u00d6-Art vibrat\u00d6ire<\/a><\/p>\n\n\n\n

Zaii Dar<\/a><\/p>\n\n\n\n

<\/div>\n","protected":false},"excerpt":{"rendered":"

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